Search results for 'Garry Smith'

Vol 46 no 1, Feb 2024
More light on colonial silversmith Alexander Dick
By Christine Erratt   |   February 2024   |   Vol 46 no 1

This article presents new information and some speculation relating to the prominent Sydney colonial silversmith Alexander Dick, whose works are found in many Australian public and private collections.

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Vol 45 no 2, May 2023
The workshop of Sydney silversmith William Kerr
By Yvonne Barber   |   May 2023   |   Vol 45 no 2

A descendant of his sister Rebecca wrote about William Kerr in Australiana over 20 years ago, presenting new material obtained from family sources.1 With the help of other descendants, Yvonne Barber expands on this earlier work, beginning with the apprenticeship of William Kerr. She provides det...

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Vol 45 no 2, May 2023
Early Sydney silver flatware
By Christine Erratt   |   May 2023   |   Vol 45 no 2

Four early Australian silver flatware items – two spoons and two forks – engraved with the three initials ‘WEB’ present a challenge warranting research. Whose engraved initials (WEB) are they and when were the items made and engraved? Christine Erratt offers an answer. Four flatware1items with...

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Vol 44 no 3, Aug 2022
Thomas Griffiths' book box construction
By David Bedford   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw
a new business opportunity and opened a sawmill at...

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Vol 44 no 3, Aug 2022
Thomas Griffiths, a Queensland woodworker
By John Wade   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw a new business opportunity and opened a sawmill at Wy...

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Vol 41 no 4, Nov 2019
The Tattersall's Club cups: Queensland racing history in gold and silver 1884-1888
By Dianne Byrne   |   November 2019   |   Vol 41 no 4

Dianne Byrne shares some of the outcomes of her postgraduate research into 19th-century presentation jewellery and metalwork made in Queensland or for Queenslanders, focusing here on a series of racing trophies made in the 1880s for the Tattersall’s Club Cup run at Eagle Farm racecourse. Two of these were mad...

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Vol 41 no 3, Aug 2019
Australian goldsmiths' marks: the records of the Australian Assay Office
By Jolyon Warwick James   |   August 2019   |   Vol 41 no 3

When you are dealing with precious metals, you want to know that what you have is what it is claimed to be. European countries instituted hallmarking systems to verify this, some of them operating for over 700 years. Silver expert Jolyon Warwick James discusses how Australia had its own hallmarking system, but ...

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Vol 41 no 1, Feb 2019
A tribute to John Houstone
By John Wade   |   February 2019   |   Vol 41 no 1

David Scott Mitchell (1836 –1907) had a private income which allowed him to pursue his collecting and become the greatest Australiana collector. About a century after British settlement, Mitchell identified the need to collect Australiana that was, at the time, rapidly disappearing. His collection of somewher...

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Vol 40 no 4, Nov 2018
Thomas Wright, Geelong colonial silversmith and jeweller
By Geoff Laurenson   |   November 2018   |   Vol 40 no 4

Thomas Wright (c.1827–1912) may not be a well-known name today, but in early Geelong his shop was a mainstay. As with many other silversmiths and jewellers, little of his work survives, so his name rarely comes up in publications. The recent discovery of a Thomas Wright silver trowel in the Geelong Grammar Sc...

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Vol 38 no 4, Nov 2016
Reading a spoon
By Lesley Garrett   |   November 2016   |   Vol 38 no 4

How do three spoons, two by Sydney silversmith Alexander Dick and a later spoon made in London, come to bear the same crest and initials? Lesley Garrett explores the possibilities.

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Vol 38 no 3, Aug 2016
Memories of the South Australian jewellery trade
By Leonard Wilton Peterson   |   August 2016   |   Vol 38 no 3

Len Peterson (1904–1981) began working at Adelaide jewellers S. Schlank & Co in 1919, and was closely associated with them until they closed in 1970. This is an edited version of his reminiscences, compiled between 1976 and 1980 for the Goldsmiths Guild of SA, giving an insight into the 20th-century Australia...

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Vol 38 no 1, Feb 2016
Book review: Eva Czernis-Ryl, ‘Hendrik Forster Silversmith Designer Maker’
By Christine Erratt   |   February 2016   |   Vol 38 no 1

During the second decade of the new millennium, many pioneers of the crafts movement in Australia, which began to flourish in the 1970s, will celebrate four decades of working in studio practices with their chosen materials.

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Vol 38 no 1, Feb 2016
The Champion's Belt of Isaac Reid, heavyweight prize-fighter
By Karen Eaton   |   February 2016   |   Vol 38 no 1

The National Gallery of Australia holds a three-piece silver buckle that originally formed the central element of a Champion’s Boxing Belt presented to prize-fighter Isaac Reid in 1847 (plate 1). This remarkable belt was made by Sydney silversmiths J.J. Cohen & Son1 and engraved by John Carmichael. Until rece...

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Vol 37 no 3, Aug 2015
Richard Batholomew Smith's Wunderkammer
By Andrew Montana   |   August 2015   |   Vol 37 no 3

R.B. Smith made his model of the Strasburg Clock to celebrate the centenary of British settlement. It was hailed as a “scientific triumph of Australian workmanship”. At first, Smith exhibited it privately “like a fat woman in a country fair”1 until it found a home in Sydney’s Technological Museum. The...

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Vol 36 no 4, November 2014
Gold Rush jewellers of Melbourne and Dunedin: Wagner & Woollett, Lamborn & Wagner and Wollett and Hewitt
By Michel Reymond   |   November 2014   |   Vol 36 no 4

Jewellers William Lamborn, Leopold Wagner and Samuel Woollett all arrived at Melbourne in the first few years after the discovery of gold in Victoria in 1851. Recent research has uncovered new information on these jewellers and their firms – Wagner & Woollett, Lamborn & Wagner and Woollett & Hewitt. The new i...

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Vol 36 no 3, August 2014
Book review: Jenny Cullen, 'Sir Charles Lloyd Jones'
By Silas Clifford-Smith   |   August 2014   |   Vol 36 no 3

There are many fine artists who barely rate a mention in the history of Australian art, so it was gratifying to read a long overdue biography of Charles Lloyd Jones (1878–1958). Jones is best known today as the Managing Director of David Jones department store during its boom times in the first half of the la...

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Vol 35 no 4, November 2013
David G. Reid - printmaker, painter and plumber
By Silas Clifford-Smith   |   November 2013   |   Vol 35 no 4

Scottish immigrant David Reid was a plumber and gasfitter who worked in Sydney’s inner western suburb of Newtown. He enriched his life by taking up painting and etching, mostly of pastoral scenes, and by participating in the life of the artistic community.

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Vol 33 no 4, November 2011
The art detective
By Silas Clifford-Smith   |   November 2011   |   Vol 33 no 4

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Vol 33 no 4, November 2011
Vol 33 no 4, November 2011
Vol 33 no 2, May 2011
Vol 33 no 1, February 2011
Vol 32 no 2, May 2010
Vol 31 no 4, November 2009
Vol 31 no 3, August 2009
Vol 30 No 2, May 2008
Vol 30 No 1, February 2008
James MacNally
By Silas Clifford-Smith   |   February 2008   |   Vol 30 No 1

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Vol 28 No 3, August 2006
Vol 28 No 1, February 2006
Vol 23 No 3, August 2001
Vol 22 No 4, November 2000
Vol 22 No 2, May 2000
Vol 20 No 2, May 1998
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Vol 17 No 4, November 1995
Vol 15 No 4, November 1993
Vol 15 No 3, August 1993
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Vol 14 No 3, August 1992
Vol 14 No 3, August 1992
Vol 14 No 2, May 1992
Vol 13 No 4, November 1991
Vol 11 no 4, Nov 1989
Vol 11 no 3, Aug 1989
Vol 11 no 2, Jun 1989
Vol 11 no 1, Feb 1989
Vol 10 no 4, Nov 1988
The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.